Award Winngers: Kim Wiggins, G. Russell Case, Grant Redden

A huge congratulations to Kim Wiggins on being awarded the 2026 Prix De West Purchase Award. Considered by many to be the most prestigious museum recognition in the American West, this honor is incredibly well deserved.

What makes this award especially meaningful is that museums are increasingly looking beyond traditional Western realism and recognizing artists working within a broader modernist tradition, what we categorize as “Western Regionalism.”

Wiggins has been painting in his unique style longer than almost any artist working in the West today. His influences range from Frederick Remington and Herbert Dunton to Alexandre Hogue, Mexican Folk Art, and beyond. The result is work that feels completely his own.

Western art has deep roots in the modernist movement of the early 1900s, but much of the genre shifted toward traditional realism beginning in the 1970s. It is encouraging to see institutions once again embracing artists with personal and original visions of the West.

This feels like a win for all of us. Congratulations, Kim!

Kim Wiggins
How the West Was Won – Chisum at Castle Gap
Oil, 60 x 48 in.
2026

“In 1866, cattle kings Chisum, Goodnight, and Loving drove 3,000 longhorns west, establishing the most famous cattle trail in American history. The epic drive helped shape the legend of the American cowboy and inspired works like Red River and Larry McMurtry’s Lonesome Dove. This painting shows John Chisum and Wild West icon Frank Chisum battling to control a massive stampede at Castle Gap near the Pecos River in southern Texas after crossing 80 miles of harsh desert.”

Maxwell Alexander Gallery artists G. Russell Case & Grant Redden were both also award winners at the 2026 Prix de West. 
Case was awarded the Wilson Hurley Memorial Award for Outstanding Landscape for Into Red Canyon Oil on linen on board, 48 x 36 in.
Redden was awarded the Great American Cowboy Award Anxiously Engaged  Oil, 24 x 30 in.

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WESTERN ART COLLECTOR PREVIEWS GRANT REDDEN'S "VIEWS FROM THE RANCH"

Maxwell Alexander Gallery in Los Angeles will present new works from Cowboy Artists of America member Grant Redden beginning April 6. Redden, who frequently explores less-traveled areas of the West such as sheepherding and farming, will focus entirely on classic cowboy material for this new show, his first solo exhibition at the gallery.

“These will be signature paintings, paintings with subject matter that is very familiar to me,” he says. “I’ll also be informed by historical painters for these works. I’m never consciously trying to make my work like theirs, but they certainly inspire me, especially when I’m going through depression and doubt—something all painters feel at some point in the studio—with every brushstroke. That may sound like it’s miserable to be an artist, but it’s not. It’s actually a lot of fun, but artists doubt everything they do sometimes. It’s part of the process.”

Redden will be turning much of his attention to cowboys from the early 1900s, particularly the 1920s and 1930s. William Herbert “Buck” Dunton and Frank Tenney Johnson are two artists who speak to the time period he’s painting. In one new painting, The Call of the Night Bird, Redden seems to call out

to Johnson with a nocturne scene. But where Johnson would use looser brushstrokes and more primal paint application, Redden paints a tighter picture with more detail and more nuance in the light. It creates a wonderful call- and-response aspect with Johnson, one of the great cowboy painters.

The Wyoming artist says that he did not use a photo reference for the painting, simply because it’s nearly impossible to capture moonlight in a photograph or even a sketch. “Paintings like this are almost entirely from imagination, because once you’re out there in the moonlight there is not much information

to record. You have to invent and imagine it all in the studio,” he says. “It’s kind of a theatrical production with the nocturne. Some are successful, and some aren’t. But when they’re successful it’s a reward because it’s all you, every piece of it.”

In the piece the horse is white, mostly because white horses are more fascinating for the artist and the viewer. “A white horse has so much reflection that it can make things around it more interesting. They’re like aspen trees in that way,” he adds. “As for black horses, just hit me in the back of the head. They just absorb all the light around them. If you can successfully paint a black horse you deserve a medal.”

Another work in the show is Old Unreliable, a painting of the timeless image of a rider on a bucking horse. The painting has a pleasing convergence of lines—from distant mountain ridges and rocky cliff faces to closer outcroppings carved into the desert soil—that guide the eye toward the leaping horse and its cool, collected rider who clings to its back.

Redden’s first solo show at Maxwell Alexander Gallery will continue through April 27. VIEW IMAGES FROM THE EXHIBITION HERE

Southwest Art Magazine on Grant Redden's Upcoming Solo Show

In a small solo show opening at Maxwell Alexander Gallery on Saturday, April 6, Wyoming artist Grand Redden captures timeless vignettes of the cowboy, his horse, and the land upon which he works. If the showcase conjures the spirit of early cowboy artists like Fran Tenney Johnson and W. Herbert Dunton, who captured the Old West, Redden wouldn’t mind the comparison. In the half dozen oil paintings he brings to the show, the artist seeks to share a bit of his own western heritage with viewers.

Redden’s paternal ancestors were among the first pioneers to settle in southwest Wyoming, and he himself grew up in the region on his father’s sheep and cattle ranch. Today he lives with his wife and family in the area, where he raises a small herd of sheep, chickens, and a few cows on 120 acres of pastureland. It’s a way of life that has always appealed to the artist— modernized methods of farming aside. “I really don’t have much interest in painting tractors,” he admits unapologetically. “With some of my work, I try to make it look like the cowboy and western life from 1900 to the 1930s. The Zane Grey and Gene Autry period is an exciting and interesting time to people, and I think contemporary desires are reaching back to that time.”

Over the nearly three decades he has been painting, Redden has studied with acclaimed artists ranging from Jim Norton to Gerald Fritzler to Walt Gonske. He has also closely observed the techniques of a variety of living and deceased masters. “How I paint is as important to me as what I paint,” says Redden. who was inducted into the exclusive Cowboy Artists of America in 2012. “The longer I paint, the more excited I get about the craftsmanship that goes into a well-made painting—the textures, the colors, the design. I’m more focused on using large shapes and bright colors in a harmonious way, and I use a lot of sanding and glazing.”

Also propelling Redden forward on his creative path is the ongoing urge to share his world with others. “If you haven’t ridden a bobsled with a load of hay, it’s amazing—the sounds, the smells,” says the artist. Of course, while he can’t arrange for viewers to physically experience such pleasures he adds, “I can paint it for them.” And being able to do that, says Redden, “is like being paid to eat ice cream.”

Western Art Collector Magazine Highlights Maxwell Alexander Gallery

Maxwell Alexander Gallery is located in the South Park district of downtown Los Angeles, just a couple streets over from the Convention Center and Staples Center. In recent years, downtown LA has become one of the most sought after locations in Los Angeles. Maxwell Alexander Gallery is continuing its service to out-of-state clientele but has also gained a group of new collectors this past year who are new residents of downtown LA. As a result, sales have doubled in 2018 and the gallery looks forward to continue the trend in 2019. Keeping things interesting with multiple exhibitions running each month in its front and south galleries, the gallery’s primary focus is on high-quality art. “I can say with confidence, no other gallery in the Southwestern market has a roster as strong as ours. We are developing new artists’ careers, but we are lucky to have the biggest names all under on roof,” says Beau Alexander, president. In March, Maxwell Alexander Gallery is hosting a three-person exhibition featuring legendary painters Howard Post, Gary Ernest-Smith and Bryan Haynes. In April, an exhibition will be held for Grant Redden, his Los Angeles debut. In May the gallery hosts the thirst consecutive solo exhibition for Eric Bowman.

Grant Redden's cover of Western Art Collector Magazine

Congratulations to Grant Redden for landing the cover of Western Art Collector magazine for October 2018. Be on the lookout for a show of his new paintings at our gallery this coming Spring 2019.